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Aisha Tyler just owned all the trolls hating on the fact that she was selected to be a presenter at the Ubisoft E3 press conference. In the form of an open letter. I think I’m more infatuated with this woman than ever before.
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Dear Gamers
I play.
I’ve played since I was a little kid.
Since I begged my dad to buy me a Nintendo LCD Donkey Kong, Jr.
Since I blew through three weeks’ allowance playing Defender at the laundromat.
Since you were a twinge in the left side of your daddy’s underoos.
I’ve been a gamer since I made friends with a girl in the 5th grade just to get at her Atari.
Since I missed the bus playing Galaga after school.
Since I missed the start of Return of the Jedi playing Tempest in the theater lobby.
You think you know. You don’t know.
I’ve been a gamer since before you could read.
Since I aced midterms after staying up all night playing Evil Tetris.
Since I became dorm champ at Leisure Suit Larry.
Since I double-wielded on Time Crisis 3 at Fuddrucker’s.
I was a voice in not one, but two major video game titles.
I hosted the Reach Beta tutorial.
I was a Gears of War superfan panelist at ComicCon.
I hosted the Ubisoft presser at E3 2012.
I didn’t do any of it for the money.
For most I got paid next to nothing, and for some, less than that.
I did it because I love video games.
Because I’ve dreamt since I was a kid of being in one of the games I love.
How many games have you done voices for?
How many cons have you repped at?
Your buddy’s Unreal Tournament garage deathmatch doesn’t count.
I go to E3 each year because I love video games.
Because new titles still get me high.
Because I still love getting swag.
Love wearing my gamer pride on my sleeve.
People ask me what console I play.
Motherfucker, ALL of them.
I get invited to E3 because real gamers know I’m a gamer.
I don’t do it for the money.
I have plenty of money.
I don’t do it for the fame.
Fuck fame.
I do it because I love video games.
I don’t give out my gamertag because I don’t want a mess of noob jackholes lining up
to assassinate me on XBL.
I don’t give a shit what you think about my gamerscore.
I don’t play to prove a point.
I don’t play to be the best.
I play because I love it.
I play.
I’ve been playing my whole life.
I’m not ashamed of it.
I don’t apologize for it.
It’s who I am.
To the core.
I’m a gamer.
So to all the haters out there who claim I don’t play;
To the GAF dicks,
Gamespot trolls,
To every illiterate racist douchebag on Youtube:
Flame away. Go nuts.
Post every jackass comment your heart desires.
I’ll still be playing when your mom’s kicked you out of her basement
and you have to sell your old-ass console
and get a real job.
For now, I say to you respectfully,
and I mean this from the bottom of my heart,
GFYS.
And I just fell in love with Aisha Tyler.
I mean, she’s the voice of my favorite character in Archer so how could I not?
But she’s a gamer and a nerd and she reps it hard. I fucking love her.
If you don’t absolutely love Aisha Tyler, there’s no chance we can truly be friends
KING OF SPORTS WALUIGI
ALL HAIL THE SPORTS MANI’M WALUIGI SUCK MY DIIIIIIIIICK
(Source: chaoskii)
digg:
This is bacon-mac and cheese pie. Here’s the recipe for when you’re done drooling.
Oh my fucking god!
The History of CONAN logos
The is a collection of logos that I have been asked to make for CONAN on TBS over the past few years. The original design of course derives from the Legally Prohibited from Being Funny on Television Tour which dervied it’s design from the famous “I’m with Coco” poster. The typeface used is “Gotham” which is a very popular font these days. Here is some information about the history and usage of the font from good old wikipedia:
The Gotham typeface was initially commissioned by GQ magazine, whose editors wanted to display a sans-serif with a “geometric structure” that would look “masculine, new, and fresh” for their magazine. GQ agreed that they needed something “that was going to be very fresh and very established to have a sort of credible voice to it,” according to Jonathan Hoefler.[2]
The lettering that inspired this typeface originated from the style of 1920s era sans-serifs like Futura, where “Type, like architecture, like the organization of society itself, was to be reduced to its bare, efficient essentials, rid of undesirable, local or ethnic elements.” This theme was found frequently in Depression-era type in both North America and Europe, particularly Germany.[4] This simplification of type is characterized by Frere-Jones as “not the kind of letter a type designer would make. It’s the kind of letter an engineer would make. It was born outside the type design in some other world and has a very distinct flavor from that.”[2]
Gotham has been used in numerous other print and media outlets. Here are some notable examples from Wikipedia:
Gotham has found its way into other commercial media, as well. Coca-Cola, television shows Maury and Saturday Night Live, the Tribeca Film Festival, the Qwest advertisements, and the Georgia Governor’s Office of Customer Service have all used Gotham in logos.[7] The Georgia state government cited Gotham’s “clean, fresh lines” and variations that “offer a variety of options for use in all marketing, advertising and signage applications” as reason for its use.[13] Starbucks used the typeface in conjunction with the 2008 Presidential election to advertise an offer of free coffee to people who vote.[14][15] Gotham has also been used byYahoo’s website as well as The Criterion Collection’s.
Gotham has also been used by Rite Aid Pharmacy, Banana Republic, Crest dental hygiene products, and Smirnoff Cocktails.
- Gotham is used in New York University’s logo and official materials.
- Gotham is the brand font for Tom Ford, Yahoo!, Fisher & Paykel Appliances and ZipRealty.
- Gotham is the font used in the Chicago 2016 Summer Olympic Games Bid.
- Gotham is used in new logo of TV channels Discovery Channel and HGTV, and branding for QVC, USA Network and History Channel.
- A modified version of Gotham Ultra is used by Cartoon Network for its new logo and for presentation.
- Some NBC Owned-and-Operated stations use Gotham for on-screen typographic identity on its newcasts.
- Gotham was used for the popular I’m With Coco posters during Conan O’Brien’s 2010 Tonight Show conflict. The font was eventually adopted for TBS’s Conan logo.
- Gotham has been used for BBC Sport television programmes’ on-screen graphics since the 2010 FIFA World Cup.
- The typographical logo of the National September 11 Memorial & Museum (or, 9/11 Memorial), designed by Landor Associates, features a style mixture of Gotham and Verlag, another H & FJ typeface.[16]
- Gotham Narrow is used for the Today show’s graphics starting January 17, 2012.
It’s been a absolute pleasure making these over the last few years. I hope you enjoyed this post and reading about fonts. Font literature always makes time go by quick. Come join us in Atlanta.
I am cocked.
YOU GUYS. I’ve been working on a book for a long time now. I’ve mentioned it here a few times. There was a wildly successful kickstarter for it a while back. Well, the book is almost done! It’s coming out this spring! And if you missed out on ordering a copy when the kickstarter campaign was going on, don’t worry! You can now PRE-ORDER your very own copy through my publisher, Grimalkin Press! And for anyone that pre-orders the book, there is a special free bonus item: an extremely fancy full color limited edition print, only available to those that pre-order.
Here’s a little bit of information about the book:
CRYING IN FRONT OF YOUR DOG AND OTHER STORIES by PHIL McANDREW - Over 200 pages of new and collected stories about life, death, love, ghosts, cats, time travel, humans, literature, fear, magic, evil organizations, happiness, television, secrets, dogs, loneliness, house plants, ancient dark rituals, pizza, failure, power, money, nature, government conspiracies, regret, the internet, horrifying monsters, awful jobs, wizards, the ocean, aliens, dads, kissing, crying and teeth.
You know a book is gonna be great if the title makes you laugh like a hyena for three full minutes. Internet, I present your new lord and master.
Day 318: One more day left, I’m going to arrive in Toronto at 3am which sucks but oh well.
Guys, I can’t emphasize enough how rad Marta’s designs are. And she’s been keeping up this design-a-day thing for nearly a year…and they’re all AWESOME.